"I have long been interested in the hidden spaces in the depths of the human psyche, the complex states of emotional journeys of these seemingly ordinary people, the psychological motivation of each character, and above all, the pure, powerful, vulnerable, and unpredictable atmosphere," said choreographer and director Valentina Turcu ahead of the ballet's world premiere at the Slovenian National Theatre Maribor.
The world of Emma Bovary is imbued with fake news, false beauty, false relationships, the desire for approval and recognition, and the yearning for attention from people, often equally banal and spiritually empty. Bovary's insatiable desire for love and adventures, her loneliness, unbearable boredom, and self-destructive behavior were fundamental guidelines in Valentina Turcu's artistic exploration, creating a convincing theatrical atmosphere of a new reality in which the iconic literary heroine Emma struggles with the unbearable pressures of society. The passionate and simultaneously poignant choreographic vision of Emma's inner world perfectly matches Chopin's music, which is occasionally complemented by the works of Philip Glass.
Aesthetically refined, psychologically deep, and exceptionally synchronized with the music of Chopin, Glass, and other composers, with glamorous costumes and set design, this ballet, which feels like a film, speaks to the incredibly high artistic standards and creative power of Valentina Turcu. From a woman in love, to someone suffocated by the monotony of life with an unambitious husband, yearning for pleasure and a different life, a woman driven by illusions and insatiable desire, to her agony, mental breakdown, and eventual collapse – this entire arc of emotions unfolds in one continuous tempo. The emotional expressiveness of Irina Čaban Bilandžić, which is part of her dance expression, always flawlessly executed, is in this performance enhanced by delicate sensuality and eroticism. Passionate and tragic, the role is a true triumph for the prima ballerina of the Split Ballet! (Jasenka Leskur)
Tip predstave | Ballet |
Manifestacija | HNK Split sezona |
Sezona | Sezona 2024/2025 |
Premijera | |
Ansambl - tablice lijevo |
Choreography, direction, dramatrugy and music concept
|
Valentina Turcu
|
Music
|
Frédéric Chopin, Philip Glass, izabrani autori
|
Set Design
|
Marko Japelj
|
Costume Design
|
Alan Hranitelj
|
Light Design
|
Aleksandar Čavlek
|
Video Design
|
Martin Svobodnik
|
Assistant Choreographers
|
Milka Hribar Bartolović, George Stanciu, Sytze Jan Luske, Anton Bogov
|
Balletmasters
|
Albina Rahmatullina
|
Costume Design Assistant
|
Vesna Novitović
|
Sound Design |
Petar Ivanišević |
Production Assistant |
Gorenka Žižić Jagar |
Stage Manager |
Tetyana Borščagivska |
|
Ansambl - tablice desno |
Emma Bovary
|
Irina Čaban Bilandžić
|
Charles Bovary
|
Tamas Darai
|
Léon Dupois
|
Danil Podhruško
|
Rodolphe Boulangeur
|
Valerij Ljubenko
|
Madame Homais
|
Eva Karpilovska
|
Monsieur Homais
|
Leonardo Souza
|
Felicité
|
Ajla Yusupzhanova
|
Justin
|
Jake Milston
|
Mother Bovary
|
Matea Milas
|
Father Bovary
|
Igor Gluškov
|
Madame Lheureux
|
Kristina Burić
|
Madame Lefrancais
|
Nikol Marčić
|
Viscont
|
Daniel Jagar
|
Madame Langlois
|
Ami Inoue
|
Monsieur Langlois
|
Takafumi Tamagawa
|
Madame Caron
|
Ania Bartkowski
|
Monsieur Caron
|
Gaizka Andres Carcel Barrett
|
Madame Tuvache
|
Jelizaveta Nadenenko / Josephine Mansfield
|
Monsieur Tuvache
|
Emanuele Sardo
|
Madame Dubreuil
|
Rimi Mizuoka
|
Monsieur Dubreuil
|
Matteo Valente
|
|
Redosljed polje | 125 |
Trajanje predstave | 90 minutes |
Preplatnički ciklusi | - Premijerna pretplata 1
- Premijerna pretplata 2
- Premijerna pretplata 3
- Popularna pretplata
|
Gostovanja u HNK Split | |